works' list by instrumentation: download PDF
future projects planned:
new long orchestral piece
new reed quintet
new duo for two bass clarinetists with audio-playback
chronological catalogue with scores and recordings:
Tārā offering for Rinpoche
low-fi audio playback
for mobile phone/tablet/laptop/earphones
in cooperation with the Dzokden community
2021 | 2'26''
as soon as the kimnara king druma started to play his lute,
for guitar solo
2021 | 8'-16'
blessing the speech
for 8 musicians and conductor
performing while reciting the sanskrit alphabet
[alto flute, bass clarinet, accordion, string quintet]
2020 | ca. 12'30'' - 16'
Lesung bei Alois
for recitator and five musicians with folk instruments and audio-playbacks in their mobile phones: zither, hurdy-gurdy, styrian harmonika or accordion, bagpipe and hackbrett or (small) cymbalom
around the audience (other similar instruments can be used as well)
2020 | ca. 19' - 29' (there are different versions)
Liedentwurf Mai 1827 (Coda)
for voice and piano(-multiphonics)
(versions for very high soprano, soprano, mezzo, contralto, contratenor, tenor, baritono, bass)
2020 | ca. 3' - 4'
Rinpoche's Name Mantras
low-fi audio playback
for mobile phone/tablet/laptop/earphones
in cooperation with the Dzokden community
2020 | short version: 5'18'', long version: 9'46''
Rinpoche's Name Mantras
participative sound performance
for listeners moving around the space
with their own mobile phones/tablets etc.
2020 | ca. 8' - 15
om manipadme hum
for voices and instruments in just intonation
(instrumentation is not exactly determined)
2019 | 25' - 30'
LAST ALBUM
a quartet for voice (soprano, alternatively contratenor/mezzo)
one wind instrument player
(many possibilities: oboe + english-horn / optionally ob. d'amore, musette, lupophon;
or clarinet / optionally sopranino cl., bass cl. or basset-horn;
or sax soprano + alto or tenor sax;
or trumpet or fluegelhorn / optionally trumpet picc.)
cello and piano
2019 | total duration ca. 30' (reduced versions: ca. 15' - 24')
cyclic existence
for voice, one wind instrument player, cello and piano
(part of „LAST ALBUM“ which can be performed independently)
2019| ND duration
mindfulness of breathing
for a solo wind instrument
and orchestra (around the listeners)
(there are many possibilities for the soloist instrument)
2018 |ca. 30
opus 68
easy pieces for piano
and/or other keyboard instruments
(grand piano, upright piano, electric/digital piano, fortepiano,
square piano, clavichord, celesta, harpsichord, dulcitone)
2018 | ND duration
same taste
duo for clarinet
(+bass cl. and optionally + contrabass cl.)
and violin
2018 | 6' – 11'
o brega sublimado
solo songs for different voices
(spread around the space)
S, MS, A, Contratenor, T, Bar, B
(min.-max. number of singers: 1-7 – it can be further extended to 12 singers)
2014; 2017 | flexible duration: min. 0'45'' max. ca. 25'
[all the following trios around one listener are aspects/versions from the first trio 'karuna']
upeksha
trio for subcontrabass/contr'alto/alto flute(s)
and double bass(es) around one listener
2015; 2017 | ~ 5'
mudita
trio for contr'alto/alto flute(s) and cellos(s)
around one listener
2015; 2017 | ~ 5'
mitgefuehl
trio for cello(s) and contrabass(es) around one listener
2015; 2017 | ~ 5'
egalanimeco
for three double basses around one listener
2015-2017 | ~ 5'
bondade amorosa
for three cellos around one listener
2015-2017 | ~ 5'
ventura
for a flute trio around one listener
(30 different flute combinations possible)
2015-2017 | ~ 5'
karuna
for a mixed trio around one listener:
alto flute, cello and double bass
2014-15; 2017 | ca. 5'
introduction to the awakening mind
a quartet for spoken/whispered voice
and instruments in just intonation:
bass flute, fluegelhorn and viola
for/with/through Shantideva's teaching poem 'Bodhicaryavatara'
2017 | ~ 20'
empty-forms
for harpsichord
2016 | ~ 5' - 7'
flow of knowing
for three female voices
with pure-tuned crystal glasses
2014-16 | ~ 13' - 16'
present, without expectations
string quartet
(2009; 2010-11) 2015 | ca. 13'
the artists meeting
Hörwerk / audio-playback with spoken voice
+ version for sound installation with 13 channels
2014-2016 | full version: 22'35''
intimate songs
for voices in duos
singing into the ears of listeners
(min. number of singers: 2)
2014-15 | ND duration: ~ 12' or much more longer
intimate choirs
for vocal groups
around different groups of listeners
(min. number of singers: 8)
2014-15 | ND duration: ~ 8' or much more longer
[both pieces 'intimate songs' and 'intimate choirs' can be combined into a single performance]
dust devil
for 3 dancers\vocalists
in cooperation with the choreographer Özlem Alkis
2014-15 | ND duration: ~ 45'
nachgehoert
audio playback
2014 | duration: 9'19''
eugostaria de ouvir \
ich wuerde es gerne hoeren
for 6 mixed voices moving around the space
2013-14 | ~ 13'
schlager für fortgeschrittene
audio playback in six parts
2013 | ~ 6'
suonare, ascoltare, trasfigurare
trio for violin, cello and piano
2011-2013, rev. 2014 | ~ 8'30''
musica d'incanto
for an oboe
and a trio of very low instruments far apart:
contrabassoon, contrabass and contrabass tuba
2011-2013 | full version: ca. 31' (reduced versions: 13'-28')
links for CD: amazon, deezer, i-tunes, spotify
trio etereo
for an oboe off-stage and a trio of very low instruments far apart:
contrabassoon, contrabass, contrabass tuba
(part of „musica d'incanto“ which can be performed as an independent piece;
the score was published as part of the „musica d'incanto“ CD booklet)
2011-12 | ~ 6'
werk_statt_incanto
audio playback for stage changes in four parts
(stereo with optional live spatialization;
individual parts can be presented separately)
2012 | 12'09''
links for CD: amazon, deezer, i-tunes, spotify
for 17 winds
or wind orchestra (and optional percussion)
2011-12 | ca. 6'
still life
with music by piet mondrian
music for Hans Richter's silent movie
"Rhythmus 21" (1921)
stereo audio playback
2011 | 2'32''
a mizmar happening
(second) music for H. Richter's silent movie
"Rhythmus 21" (1921)
stereo audio playback
(mizmar oboe: R. Nassif)
2011 | 2'32''
floresta anônima
for an ensemble of twelve double-reed instruments
around the listeners
2010-11 | ca. 15'
silhuetas de uma dança imaginária
for guitar quartet
2009; 2010 | 10'-11'
quinteto radiante
for brass quintet
around the listeners
2010
um vitral no tempo
for 8 musicians with tuned crystal glasses
around the listeners
2009; 2010 | 9'50''
caminho a desvelar
trio for clarinet, cello and piano
2009-2010(+2011) | ~11'-13'
a desvelar caminho
trio for clarinet, viola and piano
2009-2010(+2011) | ~11'-13'
(cl. and pno. parts are the same as for "caminho a desvelar", download above)
salve silma
for boys choir or female choir
(and organ non obbligato)
2009 | ca. 6'30''
violoncello
2008-9 | ~ 4'-6'
links for printed score: magalu, tipografia musical, amazon, freenote,
refúgio
trio for flute, guitar and piano
2008 | ~ 8'
for three vocal groups / choirs
and three trombones
2007 | 10'
ballo padano
for female voices\choir
2007 | 5'
noturno
for 18 strings\string orchestra
2006 | 9'
...como os regatos e as árvores
version for male/female recitator
and two flutes at different sides of the stage
(1. flute in C; 2. flute possibilities:
alto fl., bass fl., contr'alto fl. or contrabass fl. etc.)
2006, final version 2009 | ~ 5'
reduced version for recitator and flute in C: ca. 2' (see audio file below)
como interrupção
flute
2006 | ~ 1'
o relógio de Julius Heckethorn
for spoken voice
2005 | ~ 2'
hip! hip! hoover!
for male voices\choir
2004 (rev. 2005) | ~ 6'
primeiro contato de serafim e a malícia
male voice solo
2002-3 | ~ 4'
impressões
flute
(alternatively alto fl. or bass fl.,
not necessarily orchestral one: Shakuhachi etc.)
2000 | 3'- 4'
ioga do som
piano
2000 | ~ 2'
[not all pieces are listed here]